It takes some time to distill the essence of a subject into an image that reveals something about it's nature. Few (if any) times can I ever remember picking up a camera, taking a single photo and saying, "I'm done. I've got it." I'm not talking composition, technical details, camera angles or anything like that. It is something more ephemeral than that; something that helps to define the subject or reveal it's character. And sometimes I can take a hundred photos before I can say, "This is it."
As lovely as cultivated dogwoods are, I think I enjoy the wild ones more. If you compare the blossoms between a wild and cultivated dogwood, you'll notice the blooms on the wild one are much "floppier," larger and looser. The little reddish-brown tips left over from the bud stage aren't as noticeable either, so there is more of an impression of white. The off-colored tip can give the sense that the blossoms are beginning to die and turn brown even on first opening and I think that is what I don't like about them. Of course, seen from more of a distance, that isn't a problem.
This wild dogwood sits on the edge of the yard, just inside the wood.
I find I enjoy it more than the cultivated one on the other side of the yard.
It isn't always necessary to place the entire subject within the confines of a photograph. Leaving part of the content out can create a sense of there being more to see, but not in an dissatisfying manner. This image, in which nothing much is in focus - and, certainly not the blossoms - is near the top of my list of favorite dogwood photos. It was taken on a rainy day using my piece-of-junk telephoto that can barely acquire focus and I was using a polarizer to cut down on stray light even though it was a cloudy day. It captures something of the sense of this tree, if not of all dogwoods. Until I had my eyes examined at age thirteen and was given a prescription for glasses, I thought the entire world looked pretty much like this. I didn't know any better. I didn't even know I didn't know better. Maybe that is why I don't mind when an image isn't entirely in focus.
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